In early mythology, Eros is a primeval god, born of Chaos.
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"By the age of 16 they've heard about everything that they see here and read about it in magazines or on the internet." Eros through the agesĮros is the Greek god of love and fertility. "We felt it prudent for children under the age of 16 to be warned," said the professor. And as for the 17th, it is not for me but for Zeus to seek it."Īristophanes, the 5th century BC comic, who embraced the obscene, devising 106 ways of describing the male genitals and 91 those of the female, would not have been disappointed. And one who is just beginning his 15th year is yet more delightful. He who is 14 is a still sweeter flower of the lovers. "I delight in the prime of a boy at 12," one scribe declares in a text highlighted on a wall. From scenes of anal copulation to mutual oral sex, to lucky charms of giant phalluses and engravings of frenzied sex with the half-man, half beast satyrs and silens, Eros is depicted in all its glory. There in three rooms reserved for artistic renditions of sexual congress, pederasty (socially accepted in ancient times), homoerotic love, and the quaintly named "bucolic love affair", viewers are bombarded with what the ancients were clearly good at: being bawdy. In another, Eros holds a torch, a symbol of love that sets the heart on fire and, said Stampolidis, "can also burn the soul".Īnd that is before viewers get to the top floor of the exhibition, where children under 16 are warned not to enter "unattended". In a clay fragment he holds a fishing rod and catches her in the form of a butterfly. In one cameo, Eros drags the long-suffering Psyche by the hair and hits her with a mallet. In room after room, viewers are confronted with the dual nature of love through the depiction in various guises of the goddess Psyche, the soul, tormented by Eros. For Aphrodite and Eros are also cruel gods. "We have not been hypocritical."īut shock is what most preview spectators felt. "The aim of the exhibition is not to shock," he said. Inspired by the nine muses or goddesses of literature and the arts, the show covers the love affairs and weddings of gods and heroes, mortals, the birth of Eros, his upbringing by Aphrodite, famous love affairs, homoerotic love, prostitution, and erotic symbols. With the help of, among other things, a peerless collection of phallic lamps, graphic cameos, erotic figures and love letters engraved in clay, the academic devised the idea of dividing the exhibition into nine sections. It's much more difficult to represent it visually." "It's easy to write about love in either poetry or prose. "It wasn't an easy task," said the professor, who spent three and a half years thinking about love as he organised the show. "Sexual desire was, of course, a component but it was also a unifying force that encompassed the desire for anyone or indeed anything."Īccordingly, the exhibition has sought to survey the changing perceptions of Eros from the 8th century BC, when he is seen as a powerful god, to Roman times when, less potent, under the name of Cupid he becomes a mere companion to Venus. "The concept of Eros – love – was very broad in ancient times," the archaeologist said. Standing before a giant marble phallus that once graced the facade of an ancient Greek home, he added: "It had what I call balance."īy amassing some 272 objets d'art, including masterpieces from more than 50 international museums which date from the 6th century BC to the 4th century AD, Stampolidis has pulled off the impressive feat of telling the story of love in antiquity. "Theirs was a society of great tolerance and lack of guilt."
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"The Greeks were anything but prudes," said Nicholaos Stampolidis, director of the Museum of Cycladic Art, where the show will run for six months.